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Showing posts from February, 2023

Foley Workshop

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This isn't the first time I have been asked to create a change of ambience and feel utilising foley and colour changes. This was fairly good though, I utilised four audio layers for the happier upbeat footage and five layers for the more doom-and-gloom footage. This contrast of effects in how the sound is made and utilised allows me to give distinctive feelings through audio alone which proved the vitality of audio as a primary component to making a film.

Expressive Lighting

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Below is a list of some of the techniques used for lighting and how they each differently affect the image and scene for different effects and feelings Chiaroscuro - Overcoming the lighting differences with a lack of contrast. Key Light - Most Important light, the main focus of the scene is likely to be lit this way. Fill Light - Opposite of Key Light, adding additional depth to the scene and the focus gets more mood. Back Light - Separates subject from background, my favourite lighting effect. Hard Lighting - Harsh Soft Lighting - Fluorescent/Blurry Naturalism Pictorialism   Subtractive + Additive Shot Recreation: (Inspiration) Film Noir: Book Lighting: Overall, the workshop was a positive and enriching experience where I learnt a new appreciation for colour and the feelings they empower. I feel as though I can effectively utilise this in my practical work going forward and expand the feelings that can come out of angry reds, bright yellows and mellow blues. I also felt like ...

Lighting Workshop

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Q Cabs: Q uality C olour A ngle B rightness S hape Key Kelvins: Warm - 3200k Daylight - 5200k I really enjoyed this workshop, working with Sam on the different effects that lighting could have on different projects and how the lighting can affect the camera as well, finding that fine balance between light and camera for the ideal and most natural-looking shot. In fact, I was able to utilise my brand new understanding of the Kelvin meter by utilising those skills in third-year Anna's project. Where I balanced the white balance with the purple hue so it looked dark and mysterious whilst also not looking completely unnatural and off putting.